Every Knotflix studio gets a public portfolio site at knotflix.com/yourstudio that updates itself — publish a wedding and it appears on the page, with your featured film up top and every published wedding listed below. Ours is live at knotflix.com/redbankstudio.
You know how this goes. You deliver a wedding on Friday, and it is some of your best work — but putting it on your portfolio means exporting a web version, logging into a site builder, resizing a thumbnail, writing a blurb. So it waits. Six months later, your public page still leads with weddings from two seasons ago, and that is what a booking couple judges you on.
We ran Red Bank Studio that way for years. The work was always ahead of the website.
Knotflix removes the separate job. The portfolio is a byproduct of delivery: the same publish step that sends a couple their gallery also puts that wedding on your public page. The film you deliver on Friday is on your portfolio the same day, with zero extra steps.
The page is built from work, not filler. A couple who lands on it gets:
Automatic does not mean indiscriminate. Nothing is visible until you publish the portfolio itself. Films appear only when you star them. Weddings appear on the list only when you publish them — drafts and archived projects never show.
And the list only ever shows active galleries. When a couple’s hosting window ends, the wedding drops off the portfolio automatically, so a visitor can never click through to a dead link or a payment wall. If the couple extends their gallery — and half of every extension is paid out to your studio — it stays listed.
Most gallery platforms render their public pages entirely in the browser, which means a crawler fetching your page gets an empty shell. Knotflix serves your portfolio as real HTML with schema markup and a sitemap entry: your studio name, your weddings, and your links are readable by Google — and by the AI search engines couples increasingly ask — without executing a line of JavaScript.
That matters for one simple reason: a portfolio that grows with every delivery is the kind of page search engines reward, but only if they can see it.
Honest limits: this is a portfolio page, not a website builder. There is no custom domain and no page-by-page design control — a Squarespace site or a custom build beats it on both, and most studios should keep one for branding and booking.
The two work together rather than compete. Knotflix gives every film a revocable embed link, so your own website streams from the same player as the couple’s gallery — and the knotflix.com page becomes the thing your website can never be: an always-current, self-maintaining archive of real deliveries.
The portfolio is part of the platform, not an add-on. Solo is $29/mo (or $290/yr) with up to 15 active galleries; Studio is $49/mo (or $490/yr) with unlimited galleries, unlimited team, and the Mac upload app. Both start with a 30-day free trial — card required, $0 today, cancel anytime before day 30.
No. Nothing is public until you publish the portfolio itself, films appear only when you star them, and weddings are listed only once you publish them. Drafts and archived projects never show. You decide the exposure, wedding by wedding.
It drops off the portfolio automatically. The list only ever shows active galleries, so a visitor can never click through to a dead link or a payment wall. If the couple extends their gallery — half of every extension is paid out to your studio — the wedding stays listed.
For some solo filmmakers, yes — but it is not a website builder: no custom domain, no design control. Most studios keep their own site for branding and booking, stream films there with embed links, and let the Knotflix page be the always-current body of work.
Yes — knotflix.com/redbankstudio is Red Bank Studio’s live page, running on exactly the feature every subscriber gets. Every wedding listed there is a real delivery that went out to a real couple. Nothing on it was staged for marketing.
Knotflix is free for 30 days — full product, $0 today, cancel anytime before day 30.